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	<title>diozaka.org &#187; Psychology</title>
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		<title>In the Realms of the Unreal</title>
		<link>http://diozaka.org/archives/in-the-realms-of-the-unreal/</link>
		<comments>http://diozaka.org/archives/in-the-realms-of-the-unreal/#comments</comments>
		<pubDate>Thu, 08 Oct 2009 14:55:01 +0000</pubDate>
		<dc:creator>Erik Scharwächter</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Art Brut]]></category>
		<category><![CDATA[Book]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Mind]]></category>
		<category><![CDATA[Outsider Art]]></category>
		<category><![CDATA[Psychology]]></category>

		<guid isPermaLink="false">http://blog.diozaka.org/?p=1106</guid>
		<description><![CDATA[Henry Darger. Lebte einsam und zurückgezogen in Chicago. Verrichtete tagsüber einfache, monotone Arbeit. 1973 kurz vor seinem Tod gefunden: The Story of the Vivian Girls, in What is known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion. Von ihm verfasstes, 15.145-seitiges Manuskript mit zahlreichen selbstangefertigten Illustrationen. [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/wp-content/uploads/in-the-realms-of-the-unreal.jpg"><img src="http://blog.diozaka.org/wp-content/uploads/in-the-realms-of-the-unreal-150x150.jpg" alt="In the Realms of the Unreal" title="In the Realms of the Unreal" width="150" height="150" class="alignright size-thumbnail wp-image-1109" /></a><a href="http://en.wikipedia.org/wiki/Henry_Darger">Henry Darger</a>. Lebte einsam und zurückgezogen in Chicago. Verrichtete tagsüber einfache, monotone Arbeit. 1973 kurz vor seinem Tod gefunden: <em>The Story of the Vivian Girls, in What is known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion</em>. Von ihm verfasstes, 15.145-seitiges Manuskript mit zahlreichen selbstangefertigten Illustrationen. Ein einziges großes Rätsel. Outsider Art.</p>
<blockquote><p>
The Vivian Girls may be radiant icons of all that is good and innocent, but their struggle is sometimes presented with a ferocious bloodiness that has millions of little girls being graphically tortured and killed, while fires, floods, tornadoes and eruptions as well as warfare dispatch in merciless agonies millions of other people, thousands of them named characters.
</p></blockquote>
<p><a href="http://www.pbs.org/pov/intherealms/film_description.php"><strong>In the Realms of the Unreal</strong></a>, 2005. Eine Dokumentation von Jessica Yu. Versucht, Leben und Werk dieses Mannes zu erfassen.</p>
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		</item>
		<item>
		<title>Featuring: Kunizo Matsumoto</title>
		<link>http://diozaka.org/archives/featuring-kunizo-matsumoto/</link>
		<comments>http://diozaka.org/archives/featuring-kunizo-matsumoto/#comments</comments>
		<pubDate>Thu, 03 Apr 2008 18:37:21 +0000</pubDate>
		<dc:creator>Erik Scharwächter</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Art Brut]]></category>
		<category><![CDATA[Mind]]></category>
		<category><![CDATA[Outsider Art]]></category>
		<category><![CDATA[Psychology]]></category>

		<guid isPermaLink="false">http://blog.diozaka.org/?p=129</guid>
		<description><![CDATA[Obsessiv, heißt zwanghaft, heißt ohne Wahlfreiheit beschriebene Blätter eines psychisch Gestörten, wie die Allgemeinheit wohl sagen würde. Zu sehen noch bis zum 12.04. in der Galerie Susanne Zander in Köln. Mehr von der Sorte. Das Bild links stammt übrigens von Art Found Out.]]></description>
			<content:encoded><![CDATA[<p><a href='/wp-content/uploads/kunizo_matsumoto.jpg'><img src="/wp-content/uploads/kunizo_matsumoto-300x214.jpg" alt="Geschreibsel von Kunizo Matsumoto" title="Kunizo Matsumoto" width="300" height="214" class="left notop wp-image-128" /></a> Obsessiv, heißt zwanghaft, heißt ohne Wahlfreiheit beschriebene Blätter eines <em>psychisch Gestörten</em>, wie die Allgemeinheit wohl sagen würde. Zu sehen noch bis zum 12.04. in der <a href="http://www.galerie-susanne-zander.com/">Galerie Susanne Zander</a> in Köln.</p>
<p><a href="http://www.artbrut.ch/index641a.html?Show=Oeuvres&#038;ArtisteID=45">Mehr von der Sorte.</a></p>
<p><small>Das Bild links stammt übrigens von <a href="http://artfoundout.blogspot.com/2007/12/kunizo-matsumoto-notebook_9701.html">Art Found Out</a>.</small></p>
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		</item>
		<item>
		<title>Gehirnwäsche 2.0</title>
		<link>http://diozaka.org/archives/gehirnwasche-20/</link>
		<comments>http://diozaka.org/archives/gehirnwasche-20/#comments</comments>
		<pubDate>Tue, 22 Jan 2008 14:37:40 +0000</pubDate>
		<dc:creator>Erik Scharwächter</dc:creator>
				<category><![CDATA[Chaos]]></category>
		<category><![CDATA[Discordianism]]></category>
		<category><![CDATA[Fnord]]></category>
		<category><![CDATA[Mind]]></category>
		<category><![CDATA[Psychology]]></category>

		<guid isPermaLink="false">http://blog.diozaka.org/archives/gehirnwasche-20/</guid>
		<description><![CDATA[Sicherheit Gefahr Ampeln sind ein ganz schön subtiles Machtinstrument. UPDATE: Jetzt hoffentlich auch in allen Browsern.]]></description>
			<content:encoded><![CDATA[<table style="border: 0">
<tr>
<td style="width: 200px; height: 100px; background-color: red; text-align: center; vertical-align: middle;">Sicherheit</td>
<td style="width: 200px; height: 100px; background-color: green; text-align: center; vertical-align: middle;">Gefahr</td>
</tr>
</table>
<p>Ampeln sind ein ganz schön subtiles Machtinstrument.</p>
<p><strong>UPDATE:</strong> Jetzt hoffentlich auch in allen Browsern.</p>
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		</item>
		<item>
		<title>Träumend lernen</title>
		<link>http://diozaka.org/archives/traumend-lernen/</link>
		<comments>http://diozaka.org/archives/traumend-lernen/#comments</comments>
		<pubDate>Thu, 03 Jan 2008 09:27:43 +0000</pubDate>
		<dc:creator>Erik Scharwächter</dc:creator>
				<category><![CDATA[Science]]></category>
		<category><![CDATA[Dream]]></category>
		<category><![CDATA[Mind]]></category>
		<category><![CDATA[Neuroscience]]></category>
		<category><![CDATA[Psychology]]></category>

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		<description><![CDATA[Gerade auf Slashdot gelesen: Dreams Actually Virtual Reality Threat Simulation? Time Slows Down writes&#8220;Psychology Today has an interesting story on a new theory of why we dream. Finnish psychologist Antti Revonsuo believes that dreams are a sort of nighttime theater in which our brains screen realistic scenarios simulating emergency situations and providing an arena for [...]]]></description>
			<content:encoded><![CDATA[<p>Gerade auf <a href="http://science.slashdot.org/science/08/01/02/1611240.shtml">Slashdot</a> gelesen:</p>
<blockquote>
<p><strong>Dreams Actually Virtual Reality Threat Simulation?</strong></p>
<p><a href="http://timeslowsdown.com/">Time Slows Down</a> writes<br/>&#8220;Psychology Today has an interesting story on a <a href="http://www.psychologytoday.com/articles/index.php?term=pto-20071029-000003&#038;print=1">new theory of why we dream</a>. Finnish psychologist Antti Revonsuo believes that dreams are a sort of nighttime theater in which our brains screen realistic scenarios simulating emergency situations and providing an arena for safe training. &#8216;The primary function of negative dreams is rehearsal for similar real events, so that threat recognition and avoidance happens faster and more automatically in comparable real situations,&#8217; he says. We have 300 to 1,000 threat dreams per year — one to four per night and just under half are aggressive encounters: physical aggression such as fistfights, and nonphysical aggression such as verbal arguments. Faced with actual life-or-death situations — traffic accidents, terrorist attacks, street assaults — people report entering a mode of calm, rapid response, reacting automatically, almost without thinking. Afterward, they often say the episode felt unreal, as if it were all a dream. &#8216;Dreaming is a sensitive system that tries to pay much attention to the threatening cues in our environment,&#8217; Revonsuo says. &#8216;Their function is to protect and prepare us.&#8217;&#8221;</p>
</blockquote>
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